Dylan [M] Mitrovich

Every app on this site started as a problem I hit on an actual gig. I’m not a software company that discovered live sound; I’m a live-sound engineer who started writing code.

The mix

Across two decades of international touring, I’ve mixed front-of-house for a wide range of internationally recognised artists — chasing clear, dynamic, impactful shows through considered system design, automation, and show control. Every artist gets a tailored approach, with the mix workflow built around the arrangement rather than forced on top of it.

The platform

I’ve worked almost exclusively on the Allen & Heath dLive platform since 2017 — providing training and support for it, and delivering Allen & Heath dLive masterclasses around the world. That depth is where the software comes from: I know exactly where the platform helps and where it needs a hand.

The software

So I build the missing pieces — small, focused utilities for automation, failover, and timecode, on the Mac and Windows — then harden each one until it’s show-safe. Talk Light Trigger, Pilot Tone Trigger, Time Code Tool, and the free MIDI Bridge each solve something that either had no solution on the platform before, or used to mean expensive hardware and juggling several other apps — now faster, cheaper, and right from your Mac or PC. The free Companion module puts all of them on a Stream Deck.

Next is the big one: Console Control — complete console automation, locked to timecode, grown out of the scripts I’ve run my own shows on for years. The dLive is the first console; more manufacturers are on the way.

The classroom

Alongside the engineering I teach. I’ve designed curricula and delivered classes at Australian colleges, where I stay on as a course advisor, and I now run mix-workflow masterclasses and console-specific training internationally. As a certified Dante and Pro Tools trainer, I’m always looking at what’s next — and how to hand it to the next generation of engineers.